Mended with missing pieces restored in plaster and painted, notably, all of one handle and much of the bowl around it, most of the other handle, nearly all of the foot plate. Top of rim reserved. On underside of foot plate, two concentric circles. Rest. H. 0.094; rest. diam. at rim 0.245; outer diam. of tondo 0.123.

I (illustrated), athlete and youth. The youth (back of head, most of right arm missing) stands to right, wearing a himation draped around his hips and over his left forearm. In front of him is an athlete (left shoulder and upper arm missing), nude but for a cloak over his left arm, who moves to right, looking back, a strigil in his right hand. Across his lower torso is part of an object that looks like a stick held in his left hand (now missing). Behind the left youth is a laver overlapped by the tondo border. Reserved exergue. Around the tondo, stopped-maeander pattern with checkerboard-squares, a dot in each reserved square. A--B, athletes and youths. On one side, there is the lower drapery and feet of a youth (chiton), one leg (right) of the athlete facing him, then a gap and most of the lower torso and legs of a frontal male with a cloak; he holds a staff in his left hand. On the other side (illustrated), right foot and lower left leg of a frontal athlete, a youth (a bit of back missing) to right, wrapped in a himation, facing a nude athlete (lower torso, thighs missing). Below, two reserved lines. At the handles, palmette-and-tendril configuration (most of one preserved [illustrated]; only a little of the other).

Manner of the Painter of London E 777, i: The Painter of Heidelberg 211 (ARV2 944, 3).