"dc-creator","Redirect","UserLevel","Chronology","Id","dc-title","dc-date","Collection","dc-publisher","Icon","Name","dc-description","Type","dc-subject"
"","","","mid-6th c. B.C.","Corinth:Object:C 1953 11","ATTIC BLACK-FIGURE BAND CUP","1953/03/20","Corinth","","Corinth:Image:bw 1983 062 26::/Corinth/Photos/negatives/year_roll/1983_062/1983_st_062_026.jpg::1800::1228","C 1953 11","A single large fragment from the body of a band-cup.","Object","Pottery"
"","","","ca. 540 B.C.","Corinth:Object:C 1953 171","ATTIC BLACK-FIGURE DROOP CUP","1953/04/14","Corinth","","Corinth:Image:bw 1983 062 22::/Corinth/Photos/negatives/year_roll/1983_062/1983_st_062_022.jpg::1800::1212","C 1953 171","Part of body with foot attachment.","Object","Pottery"
"","","","Mid-6th c. B.C.","Corinth:Object:A 1103","POROS GUTTA, TEMPLE OF APOLLO","1954/06/16","Corinth","","Corinth:Image:digital 2013  1006::/Corinth/Photos/digital/2013 season photos/2013_1006.jpg::1800::1200","A 1103","Gutta with flat undersurface, profile not strictly cylindrical: vertical at back, front contracting from bottom to top at 9 degrees from the vertical.  Possibly faint rasp marks on underside.  See A-1064: associated with temple but larger.","Object","Architecture | Stone Architecture"
"","","","1st half of 6th BC","Corinth:Object:C 1963 588","FLAT RIMMED CUP","1963/05/27","Corinth","","Corinth:Image:digital 2019  0160::/Corinth/Photos/digital/2019 season photos/2019_0160.jpg::2000::1428","C 1963 588","Cup with convex body, outward thickened rim, vertical squared lip, and loop handle. Imitation Attic? Similar to C62-772 (Corinth 18.1 p 160 no. 443) but with handles.","Object","Pottery"
"","","","Early 6th c. B.C.","Corinth:Object:CP 2575","ATTIC BLACK-FIGURE TRIPOD KOTHON","","Corinth","","Corinth:Image:bw 1966 026 10::/Corinth/Photos/negatives/year_roll/1966_026/1966_st_026_010.jpg::1800::1200","CP 2575","Fragment of the flat, circular band on top, surrounding the central opening of a tripod kothon. Frieze set between two plastic ridges, with a slight trace of the downturned wall beyond the outer ridge. Underside unglazed.","Object","Pottery | Pottery before 1926"
"","","","Third quarter of 6th c. B.C.","Corinth:Object:CP 2261","ATTIC BLACK-FIGURE KANTHAROS","","Corinth","","Corinth:Image:bw 1965 114 15::/Corinth/Photos/negatives/year_roll/1965_114/1965_st_114_015.jpg::1800::1193","CP 2261","Three joining fragments from body of kantharos immediately above sharp offset marking beginning of bowl.","Object","Pottery | Pottery before 1926"
"","","","550-540 B.C.","Corinth:Object:C 1933 456","ATTIC BLACK-FIGURE SIANA CUP","1933/05/16","Corinth","","Corinth:Image:bw 1977 108 05::/Corinth/Photos/negatives/year_roll/1977_108/1977_st_108_005.jpg::1800::1202","C 1933 456","A single fragment preserving part of the lip and handle zone of a double-decker Siana cup with convex body and convave rim.","Object","Pottery"
"","","","6th century B.C.","Corinth:Object:C 1938 755","ATTIC STEMMED CUP FOOT WITH GRAFFITO","1938/12/15","Corinth","","Corinth:Image:digital 2021  0302::/Corinth/Photos/digital/2021 season photos/2021_0302.jpg::2048::1462","C 1938 755","Wide, disc-shaped foot with flattened surface, rounded outer edge, underside rising to central cavity.","Object","Pottery"
"","","","mid-6th c. B.C.","Corinth:Object:C 1939 319a","ATTIC BLACK-FIGURE SIANA CUP","1939","Corinth","","Corinth:Image:bw 1977 107 37::/Corinth/Photos/negatives/year_roll/1977_107/1977_st_107_037.jpg::1800::1203","C 1939 319a","Part of the handle zone and lower body of a Siana(?) cup.","Object","Pottery"
"","","","ca. 520 B.C.","Corinth:Object:C 1937 1076","ATTIC BLACK-FIGURE LEKYTHOS","1937/05/08","Corinth","","Corinth:Image:bw 1976 066 29::/Corinth/Photos/negatives/year_roll/1976_066/1976_st_066_029.jpg::1800::1192","C 1937 1076","Fragment from lower body. Interior unglazed. Flaring body with slight convex curve.","Object","Pottery"
"","","","575-550 B.C.","Corinth:Object:C 1931 369","ATTIC BLACK-FIGURE LIP CUP","1931/xx/xx","Corinth","","Corinth:Image:bw 1990 066 35::/Corinth/Photos/negatives/year_roll/1990_066/1990_st_066_035.jpg::1800::1227","C 1931 369","Cup with convex, flaring body, relatively deep, with very slightly inset straight-flaring rim, fine lip. Horizontal loop handle canted, on body.","Object","Pottery"
"","","","Last quarter of the 6th c. B.C.","Corinth:Object:C 1932 62","ATTIC BLACK-FIGURE DINOS","1932/05/07","Corinth","","Corinth:Image:bw 1965 114 24::/Corinth/Photos/negatives/year_roll/1965_114/1965_st_114_024.jpg::1800::1206","C 1932 62","Fragment from a dinos with a horizontal outturned rim.","Object","Pottery"
"","","","Second half of 6th century B.C.","Agora:Object:A 4543","Column Base Torus: Ionic","17 July 1976","Agora","","Agora:Drawing:DA 3130::/Agora/Architecture/DAs/03000-03999/DA 3130.jpg::0::0","A 4543","Complete. Torus from Ionic base, horizontally fluted with six flutes. Square empolion cutting through center, carved from both sides, and at different orientations.; Naxian marble.; Same series as A 266.","Object","Architecture | Column Bases"
"","","","Late 6th. century B.C.","Agora:Object:I 44","Grave Monument Fragment","29 June 1931","Agora","","","I 44","Inscribed small fragment of grave monument.; The top surface meets the face in a beveled edge; other sides broken.; Traces of red in the letters.; Pentelic marble.; ; ADDENDA Belongs to I 47.","Object",""
"","","","600-550 B.C.","Agora:Object:H 111","Kotyle, Imitation of Corinthian","","Agora","","","H 111","Complete.; ; Flaring ring foot; plain rim, slightly inturned; tiny elongated rolled handles.; ; Dot row in handle zone bordered above and below by single purple bands. All glazed inside.; ; Streaky black glaze.; ; For a Corinthian example, see Corinth XIII, pl. 25, Deposit 43-a;; another Attic copy, Agora XII, pl. 14, no, 307.","Object",""
"","","","600 B.C.","Agora:Object:H 163","Fragmentary Amphora or Olpe with Graffito","","Agora","","Agora:Image:2009.01.0073::/Agora/2009/2009.01/2009.01.0073.tif::2448::2762","H 163","Eleven pieces comprising two non-joining fragments. To Young's publication of six pieces are now added five more, two of which help to complete to inscription.; Part of the side wall with reserved panel preserved; panel filled with lion walking right. Cursory incision used for interior details of the lion, and added red for tongue and snout; large incised rosette in front of lion. The lion is of the very early black-figure style: cf. Kerameikos VI, 2, pp. 272, 326.; Fine, soft, brownish buff clay, slightly micaceous; dull, somewhat worn black to bluish black glaze, outside only; thin, streaky brown to black glaze for lion and rosette.; Inscription along two sides of panel in three lines: line 1, left to right, sideways to vase, running from top to bottom, no letters missing at ends; line 2, left to right, upside down to vase, several letters missing at right; line 3, retrograde, upside down to vase, several letters possibly missing at right. Letters incised deeply but not too carefully with a blunt point.; ; Line 1: Ανδρογ[---] ho Δ[..]ιες; Line 2: τοι Δι τ΄άναχτι hισ-; Line 3: έδρασεν; ; Line 1 contains a proper name, Androg...., followed by a patronymic or an ethnic. The final sigma is reserved, as is not uncommon in early inscriptions.; In Line 2 Δί for the dative of Ζεύς is a mispelling or unusual spelling for Attica, where Διί is expected. Also strange is άναχτι instead of ανακτι although this is perhaps an early example of the Attic tendency to aspirate stops: cf. C. D. Buck, The Greek Dialects, Chicago, 1955, pp. 60-61.; On the rarity of Anax as a title of Zeus, see B. Hemberg, ΑΝΑΞ, ΑΝΑΣΣΑ, und ΑΝΑΚΕΣ, Uppsala, 1955, pp. 8, 11. But the tau after Δί may represent  an elision of  τεinstead of τοιin which case the title may belong to another deity mentioned in the missing part of line 2. Hemberg shows that Apollo receives the title Anax in Homer and Classical literature far more often than any other deity, and since, like Zeus, Apollo was worshipped on Mount Hymettos (Pausanias, I, 32,2), it is possible that the inscription is a dedication to both deities.; Line 2 breaks off with hισ[---]which suggests a form of ίστημι,although the present tense would be odd.; Line 3 continues boustophedon from line 2 and preserves only one word,έδρασεν. The ends of the three horizontals of the initial epsilon are preserved at the right edge.; Young would take the verb to be equivalent to έγραφσεν and translate the whole, ""Androg..., son of D...,made (i.e. wrote)...(a dedication).. to Zeus Anax"". In other words the dedicator is stressing his proud feat, that he actually wrote a sentence. But the usage of δράω for γράφω would be unparalleled. Nor should the verb be equated with ποιέω and Androg.. or someone mentioned in the lacuna be considered the maker of the vase.; According to M. H. Jameson ,δράω should have more force, referring possibly to the performance of a rite, as it does in I.G., I, 4. The length of the lacuna at the end of line 2 and beginning of line cannot be determined but it seems clear that we are dealing with amore complex text that one involving the simple fact of writing.; To the right of the end of line 1 is a lone four-barred sigma, larger and more deeply cut than the letters of the inscription. The sigma faces right, but no letters can be seen to its right because the surface there is badly worn.","Object",""
"","","","550 B.C.","Agora:Object:H 432","Skyphos, Subgeometric Survival","","Agora","","","H 432","Both handles restored.; ; Flat bottom; rim thickened inward and flat on top. All glazed inside and out except for handle zone outside and top of rim decorated with a series of large dots.; ; Good, lustrous black glaze.; ; Cf. Agora XII, p. 87.","Object",""
"","","","550-525 B.C.","Agora:Object:A 1038","Water Pipe","2 May 1939","Agora","","Agora:Image:1997.04.0149::/Agora/1997/1997.04/1997.04.0149.tif::970::793","A 1038","Broken, but nearly complete. One long and one short joint tongue; rectangular clean-out hole.; Pale yellow clay with coarse grit; thin brown glaze on inside only.","Object","Architecture | Terracottas | Tiles and Bricks | Drains, Water Channels, Pipes"
"","","","Ca. 530-520 B.C.","Agora:Object:Agora XXX:24","","","Agora","","","Agora XXX, no. 24","Wall fragment from below greatest diameter. Wash on reserved surface. Max. dim. 0.059.; ; Herakles (thighs, part of hind legs of lionskin, ends of folds of short chiton) striding to right. Preliminary sketch. Relief contour.; ; The scale of Herakles is comparable to the figure of him on New York, M.M.A. 63.11.6 by the Andokides Painter himself (ARV2 1617, 2 bis; Paralip. 320, 2 bis; Addenda 149), but the wall of 24 is probably too thin (0.0035--0.005) to come from an amphora Type A.; ; Recalls the Andokides Painter more or less vividly (ARV2 5, ---, 4).","Object","Red Figured And White Ground | Amphorae: Type Uncertain"
"","","","Ca. 520 B.C.","Agora:Object:Agora XXX:164","","","Agora","","","Agora XXX, no. 164","Two non-joining fragments, a of neck and shoulder, b of rim, neck and shoulder. Max. dim. a) 0.095, b) 0.085.; ; Fragment a preserves the filleted head of a man and the head of a muzzled horse, both to right. Above, tongue pattern at the junction with the neck. Fragment b gives more of the tongue pattern and below it the top of the head of a figure to right, who seems to wear a garment drawn up over the top of his or her head. On top side of rim, lotus buds with dots in the interstices. Relief contour. Incised line for hair of each figure and for contour of horse's mane. Red: fillet; mane; two splashes below the head of the horse; band on inside just below rim.; ; The presence of a horse wearing a muzzle suggests that the scene on fragment a is the harnessing of a chariot team. If so, this would be one of the trace horses, for the standard composition shows both pole horses already harnessed and one or both of the trace horses being led up. For the subject, see M. B. Moore, AK 29, 1986, pp. 107--114. One should not, however, completely rule out the possibility that this horse is a mount. Harnessing scenes are very rare in red figure; the only ones known to me thus far are: Munich 2420 from the Pezzino Group (ARV2 32, 3; CVA, 5 [Deutschland 20], pl. 221 [936]:3; Mind and Body, p. 312, no. 199; Addenda 157); Vatican 16575 (506) by Epiktetos (ARV2 73, 27; Addenda 168); and Louvre G 196 by the Troilos Painter (ARV2 296, 2). If the subject on 164 is a harnessing scene, one would expect to see part of the rest of the team or perhaps a bit of the charioteer. Scenes that show horses being led appear fairly frequently in Late Archaic red figure, but in these the horse is not muzzled but already bridled. The only parallel known to me for a muzzled mount being led is the left horse on Psiax's amphora in Philadelphia 5399 (ARV2 7, 3). The other horse in this scene is bridled.; ; Sundry Very Early Red-figure Pots by Various Painters (ARV1 14 τ ; ARV2 11, 6).","Object","Red Figured And White Ground | Column-Kraters | Pictures Framed"
"","","","Late 6th century B.C.","Agora:Object:Agora XXX:250","","","Agora","","","Agora XXX, no. 250","Wall fragment. Glaze grayish on outside (burned[?]). Max. dim. 0.071.; ; Figure (himation, the leg of a pelt) to right. Relief contour.; ; Dilute glaze: pelt.","Object","Red Figured And White Ground | Calyx-Kraters | Single Register"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:585","","","Agora","","","Agora XXX, no. 585","Ten non-joining wall fragments, three (a, e, and g) of flaring rim, flat on top. Bands of glaze on inside. Glaze has a slightly greenish cast on c, f, and j. Est. diam. of rim at outer edge 0.25; P.H. of a) 0.11; max. dim. b [P 4744]) 0.105, c) 0.121, d) 0.041, e) 0.11, f) 0.069, g) 0.08, h) 0.045, i) 0.049, j) 0.115. L. Talcott, Hesperia 5, 1936, pp. 59--69; K. Pfeiff, Apollon: Wandlung seines Bildes in der griechischen Kunst, Frankfurt 1943, Beil. 2 (4), opp. p. 40; M. Wegner, Euthymides und Euphronios, Münster 1979, pl. 6; LIMC II, 1984, p. 263, no. 642, s.v. Apollon and p. 710, no. 1157, s.v. Artemis.; ; Apollo, Leto, and Artemis. Fragment a preserves the wreathed head of Apollo and a little of his back with himation. He faces to right, holding his kithara (tip of left arm projecting above his head, right arm with part of support, crosspiece, and strings). Behind him, the left hand and wrist of Leto holding a flower, also to right. Above, betweenthe two: ; ; At the far right just at the break there is a small amount of reserve that is probably a bit of the raised right hand of Artemis, more of whom appears on fragment c (see below). Fragment b (P 4744) shows more of the himation of Apollo as well as the sleeve of his chiton and his sharply bent right elbow, also the cord of the plektron. The two parallel lines next to the god's elbow are the bottom of the sound box of the kithara. Below, on the right, next to the break:; ; Fragment d preserves a bit of the drapery (sleeve of chiton, himation, the lower contour of the left breast) of Leto. Fragment c gives part of Artemis (buttocks, left arm with sleeve of chiton, her hand holding up a fold of her chiton) to left, facing Apollo. Behind her is the trunk of a palm tree and between the two: ; ; Fragments e, f, and i each preserve palm fronds. These belong to two different palm trees, one behind each goddess. Fragments f and i belong to the one behind Artemis because the glaze has a slightly greenish cast as it does on fragment c. Fragment e preserves fronds from the same side of the trunk as the tree on f but cannot be the same tree because both fragments belong just below the ornament, and thus e belongs ; ; to the tree behind Leto. Fragment j gives the lower part of the trunk of a palm tree and at the right: ; ; This also belongs to the tree behind Artemis, for not only does the greenish cast of the glaze confirm this, but if it were the tree behind Leto, one would expect to see a bit of her drapery between the inscription and the right break. Above the figures, an upright chain of encircled palmettes interrupted above the head of Apollo by a lotus flower that indicates where the pattern started and ended. This ornament also appears on e (illustrated), g -- i (the last illustrated). At the very bottom of fragment j there is a little bit of the ornament below the figures, probably a chain of upright encircled palmettes as at the top. Preliminary sketch. Relief contour. Dilute glaze: iris of Apollo's eye; folds of chitons. The ends of Apollo's hair where they overlap the black background are incised. Red: flower; leaves and stem of wreath; tuning keys of kithara, plektron cord (partly flaked); inscriptions. White: berries of wreath.; ; Thus, the composition showed Apollo with his kithara between Leto and Artemis, the three flanked by palm trees, a grouping that fills well the available space, for the circumference of the figured area is ca. 0.60 m. The position of the black bands of glaze on the inside was also helpful in placing the fragments. The relative positioning of fragments a, e, and i in the drawing was accomplished by calculating the amount of space needed for the units of palmettes below the rim. Talcott (Hesperia 5, 1936, pp. 59--60) thought that there was only one palm tree and conjectured (p. 61) that there was a fourth figure, perhaps Ares or Iris, to fill the space between the tree and Leto. But if the positioning of fragment j is correct, it means that the potting inscription appeared between the ; ; two trees. A parallel of sorts for the Delian triad between two palm trees but with the addition of a deer may be found on Agora P 9275, an unattributed contemporary stand (Agora XXIII, cat. no. 575, pl. 55).; ; For the general subject of the Delian triad, see LIMC II, 1984, pp. 261--265, s.v. Apollon (W. Lambrinoudakis et al.).; ; It is not clear if the kalos inscription was just simply kalos or if it named a youth, although normally the name precedes the adjective (for an exception, see London, B.M. GR 1896.6--21.3 by Oltos, which praises Memnon: ARV2 56, 25). The two names that appear on vases by Euthymides are Megakles on the Bonn hydria, 70 (ARV2 28, 12; Addenda 156) and Leagros (without kalos) on the fragmentary cup from the Akropolis, 211 (ARV2 29, 20). Either name would fit the space available, although Leagros, having fewer letters, might be preferable.; ; Euthymides (ARV1 26, 15; ARV2 28, 17; Addenda 156).","Object","Red Figured And White Ground | Stands And Supports"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:829","","","Agora","","","Agora XXX, no. 829","Most of shoulder with stub of handle and body with part of fillet between it and the foot. Strengthened with plaster. Glaze misfired in places; abraded here and there. P.H. 0.138; diam. 0.081. H. A. Thompson, Hesperia 24, 1955, pl. 28:c; D. B. Thompson, An Ancient Shopping Center (Agora Picture Book 12), Princeton 1971, fig. 54; Kurtz, Athenian White Lekythoi, pl. 5:2; S. R. Roberts, Hesperia 55, 1986, p. 46, fig. 29:318; M. Davies and J. Kathirithamby, Greek Insects, London 1986, frontispiece.; ; Warriors. Three move to left toward one who falls backwards. Each has a Corinthian helmet pushed back on his head, a round shield, and greaves. Each attacker is armed with a spear, and a plume adorns the helmet of the third. The helmets of the attackers have low crests. The falling warrior (face, nearly all of arms missing) wears a chiton, and his helmet has no crest. The shield devices are a serpent, a bee, and an anchor. Above, key pattern to left beginning under the ; ; handle (there is a dot in the center of one unit). Below, frieze of pomegranates. On the shoulder, up-and-down palmettes with dots in the interstices. Above, tongue pattern. All patterns in black. Preliminary sketch. Relief contour. Rims of shields incised.; ; For plumes on helmets, see Agora XXIII, p. 128, cat. no. 206, pl. 24.; ;  Addenda and Corrigenda, p. 2378 to p. 102 of ARV1: same hand as London 1907.10--20.1 signed by Pamphaios and akin to the later work of the Nikosthenes Painter; ARV2 131, ---; Addenda 177.","Object","Red Figured And White Ground | Lekythoi | Standard Shape"
"","","","Ca. 520-510 B.C.","Agora:Object:Agora XXX:1365","","","Agora","","","Agora XXX, no. 1365","Floor fragment with part of narrow ring base. Circle on underside. Max. dim. 0.055. H. A. Thompson, Hesperia 23, 1954, pl. 15:a.; ; I, nude hetaira (legs, part of left shoulder and arm, right forearm and hand missing) reclining to left. She has a triple fillet around her head with loops hanging down in back and an earring. In her left hand she holds a krotalon. Incised line for contour of hair. Relief contour. Red: fillet.; ; The drawing on 1365 brings to mind Oltos, except that it is not quite as sure. Cf. Hebe on Tarquinia RC 6848 (ARV2 60, 66; Paralip. 327, 66; Addenda 165); Athena on Florence 1 B 24, which belongs to the same cup as Copenhagen, Thor. 100 and Rome, Villa Giulia no no. (ARV2 60, 67; Paralip. 327, 67; Addenda 165); and the woman dancing as well as the woman reclining on Copenhagen, Ny Carlsberg inv. 2700 (ARV2 63, 93; Addenda 165). There is also some resemblance to 1562 by the Painter of the Agora Chairias Cups.","Object","Red Figured And White Ground | Stemless Cups | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1400","","","Agora","","","Agora XXX, no. 1400","Lip and bowl fragment. Reserved line on inside and outside just below rim. Glaze misfired greenish. Max. dim. 0.07; est. diam. at rim 0.31.; ; A, part of left eye and eyebrow. Contour of iris and pupil incised.; ; To right of eyebrow: ; ; Red: inscription.; ; Oltos. The eyebrow curves parallel to the eye and comes down rather far; also the reserved ring is typical for his later eye-cups. The best discussion of these is Cohen, Attic Bilingual Vases, pp. 385--397. For three especially good examples, see Vatican, Astarita 492 (ARV2 44, 81; 55, 22; Addenda 159); London, B.M. GR 1896.6--21.3 (ARV2 44, 83; 56, 25); and Oxford 515 (ARV2 44, 85; 56, 27).","Object","Red Figured And White Ground | Cups | Type A"
"","","","Ca. 520-510 B.C.","Agora:Object:Agora XXX:1401","","","Agora","","","Agora XXX, no. 1401","Two non-joining fragments, a with part of lip. Reserved line on inside of rim; another on top. Max. dim. a) 0.046, b) 0.037.; ; Fragment a preserves the back of the head, the left shoulder, and upper arm of a man to left. Behind him is part of the shaft and point of a spear. Fragment b preserves the lower half of the head of a similar figure, also to left. Each wears a himation and has a fillet around his head. Preliminary sketch. Relief contour. Incised line for hair contour. Red: fillets.; ; Oltos (ARV2 65, 112).","Object","Red Figured And White Ground | Cups | Type B | Decorated On Inside And Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1402","","","Agora","","","Agora XXX, no. 1402","Two non-joining fragments, a of lip and bowl, b of bowl from near start of stem. Reserved line on inside and outside at rim. Glaze on interior of figure and fronds of palmette flaked in places. Max. dim. a) 0.05, b) 0.063.; ; Komos. Fragment a (illustrated) preserves most of the wreathed head, torso, and left arm of a komast to left, who holds a cup with an offset lip in his left hand. Behind him, two fronds of the handle palmette. Above: ; ; Fragment b gives part of the tendrils of the handle palmette. Below, reserved line. Preliminary sketch. Relief contour. Dilute glaze: muscles. Incised line for hair contour. Red: wreath; inscription.; ; Skythes (ARV2 one 74, 14; ARV2 84, 15). The youth on 1402 was probably similar to the one on side B of Louvre G 76 (ARV2 84, 16). The ornament at the handle was very likely similar to that on a cup by Skythes once in the Basel Market (Münzen und Medaillen. Aukt. 51, 14./15. März, 1975, pl. 34, no. 149). There, too, the kalos name is Epilykos. For Epilykos, see H. A. Shapiro, ""Epilykos Kalos,"" Hesperia 52, 1988, pp. 305--310.","Object","Red Figured And White Ground | Cups | Type B | Decorated On Inside And Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1403","","","Agora","","","Agora XXX, no. 1403","Five non-joining lip, bowl, and floor fragments. Coral-red around tondo on inside and on outside below figures. Est. diam. at rim 0.25; max. dim. a) 0.048, b) 0.022, c) 0.031, d) 0.019, e) 0.06. E. Vanderpool, Hesperia 15, 1946, p. 279, cat. no. 32, pl. 29; M. Lang, Graffiti in the Agora (Picture Book 14), Princeton 1988, p. 10, fig. 22; Agora XXI, p. 8, cat. no. B 2, pl. 2.; ; I, nothing of the figures preserved. A, athletes (boxers[?]). Fragment a preserves a youth (wreathed head in profile to right, back, part of left arm, most of right) seen from the back. Fragment b shows the thighs of someone moving swiftly to right; fragment c gives the left calf and the foot of a youth and the toes of the right foot of one facing. Below, reserved line. Fragment d preserves part of the neck and chest, the left forearm and hand of a youth moving to right, looking back. Fragment e (not illustrated) is undecorated. Graffito incised on inside of a after firing. Preliminary sketch. Relief contour. Red: wreath.; ; For the use of coral-red, see B. Cohen, ""Observations on Coral-Red,"" Marsyas 15, 1970--1971, pp. 1--12; also the statement from G. Richter to L. Talcott in E. Vanderpool, Hesperia 15, 1946, pp. 285--287 sub cat. no. 52.; ; Connected with the Chelis Group (ARV2 one 83, 5); Not far from the Kachrylion Cup, London, B.M. 97.10--28.2 (ARV2 115).","Object","Red Figured And White Ground | Cups | Type B | Decorated On Inside And Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1513","","","Agora","","","Agora XXX, no. 1513","Mended with small missing pieces, including most of foot, restored in plaster and painted. Glaze cracked slightly on inside. H. 0.065; diam. at rim 0.185; diam. of tondo 0.103; est. diam. of foot 0.083. P. Bruneau, BCH 87, 1963, p. 513, fig. 5; Themelis, Agora: Guide, fig. opp. p. 64; J. McK. Camp, Gods and Heroes in the Athenian Agora (Agora Picture Book 19), Princeton 1980, p. 14, fig. 26; S. Roberts, Hesperia 55, 1986, p. 16, cat. no. 23, p. 17, fig, 9.; ; I, satyr on an ithyphallic donkey to right. Around the satyr's head is a wreath; his right arm is outstretched behind him. In the field: ; ; Reserved line for tondo border. Preliminary sketch. Relief contour. Incised line for hair contour. Red: wreath; inscription (faint).; ; Epiktetos (ARV2 76, 81).","Object","Red Figured And White Ground | Cups | Type B | Decorated On Inside Only"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1515","","","Agora","","","Agora XXX, no. 1515","Mended with missing pieces restored in plaster and painted, chiefly all of one handle and part of the lip and bowl around it. H. 0.07; diam. at rim 0.18; diam. of tondo 0.097; diam. of foot 0.075. S. Roberts, Hesperia 55, 1986, p. 21, cat. no. 28, p. 20, fig. 11, pl. 6.; ; I, youthful boxer (part of chest, most of right arm, middle of right leg missing) running to left, looking back. Each wrist is bound with thongs. Inscribed above left arm: ; ; Reserved line for tondo border. Relief contour. Dilute glaze: muscles. Red: inscription.; ; The Painter of Bologna 433 (ARV2 106, 1; Addenda 172).","Object","Red Figured And White Ground | Cups | Type B | Decorated On Inside Only"
"","","","Ca. 520-510 B.C.","Agora:Object:Agora XXX:1527","","","Agora","","","Agora XXX, no. 1527","Floor fragment with start of stem. Max. dim. 0.077.; ; I, maenad (top of head, most of arms, nearly all of left leg, right foot missing) running to right, looking back, a thyrsos (shaft) held at waist level. She wears a short pleated chiton. In her hair are two relief lines (some kind of headdress[?]). Preliminary sketch. Relief contour except for lower edge of sleeves and inner edge of skirt.; ; Near the Delos Painter (ARV2 one 58, ---, 2; ARV2 172, ---, 2).","Object","Red Figured And White Ground | Cups | Type B | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1528","","","Agora","","","Agora XXX, no. 1528","Floor fragment. Max. dim. 0.059; est. diam. of tondo 0.096.; ; I, youthful komast (head with fillet, part of garment over shoulder) to right. In the background an object (a wineskin[?]) hangs on the wall(?). In the field: ; ; Reserved line for tondo border. Relief contour. Red: fillet; inscription; string of wineskin.; ; The wineskin may have looked something like the one held by the komast on Athens, N.M. 1430 by the Euergides Painter (ARV2 95, 122).; ; Manner of the Euergides Painter (ARV2 one 66, 10); Euergides Painter (ARV2 94, 97). P. Rouillard (RA 1975 [ pp. 31--60], p. 33, note 1) removed 1528 from the works by the Euergides Painter because ""les dessins de la bouche ouverte et de la couronne de cheveux sont totalement étrangers au style du Peintre d'Euergidès,"" but he does not suggest an alternative.","Object","Red Figured And White Ground | Cups | Type B | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1529","","","Agora","","","Agora XXX, no. 1529","Floor fragment. Max. dim. 0.046; est. diam. of tondo 0.11.; ; I, warrior (small of back, buttocks, lower right calf and foot, a bit of drapery) crouching to left. Behind him is the end of his spear. Below at the edge of the tondo: ; ; Reserved line for tondo border. Relief contour. Red:inscription.; ; Our warrior probably looked very much like the one in the tondo of Amsterdam inv. 2232 (ARV2 94, 111), except that his right hand, which holds the spear, was probably overlapped by his body.; ; The Euergides Painter (ARV2 94, 112). Not from the same cup as 1530.","Object","Red Figured And White Ground | Cups | Type B | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1530","","","Agora","","","Agora XXX, no. 1530","Floor fragment with start of stem on underside. Max. dim. 0.029.; ; I, warrior (lower part of cheekpiece and neck guard of helmet, start of back) to left, seen from the back, a round shield on his outstretched left arm. Relief contour.; ; The identification of the subject is given by warriors on four cups by the Euergides Painter: the right warrior on side A of London, B.M. E 20 (ARV2 90, 35; Addenda 170); Ares on Toledo 61.25 (ARV2 90, 36; Addenda 171); the right warrior on side B of New York, Callimanopoulos, ex Castle Ashby (ARV2 91, 50; Addenda 171); and the warrior in the tondo of Amsterdam inv. 2232 (ARV2 94, 111).; ; The Euergides Painter. Not from the same cup as 1529, for the color of the clay differs slightly. Also, given the position of the warrior's shoulders on 1530, one would expect to see his right hand on 1529. But cf. 1531.","Object","Red Figured And White Ground | Cups | Type B | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1531","","","Agora","","","Agora XXX, no. 1531","Floor fragment with start of stem. Glaze slightly greenish on outside; pitted in places. Max. dim. 0.046; est. diam. of tondo 0.11.; ; I, nude male (all of right leg, buttocks, start of left thigh) crouching to left. At the very bottom of the fragment, reserved line for tondo border. Relief contour.; ; Should be by the Euergides Painter (Beazley, summer 1953); not in ARV2. Cf. 1529. Perhaps from the same cup as 1530, but there is just not enough preserved to be sure; therefore, they are best kept separate.","Object","Red Figured And White Ground | Cups | Type B | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1532","","","Agora","","","Agora XXX, no. 1532","Floor fragment. Max. dim. 0.043; est. diam. of tondo 0.08.; ; I, youth (head, start of shoulder) bending over to right. Before him are an aryballos and sponge (part of each). Reserved line for tondo border, uneven. Relief contour: part of profile.; ; For the aryballos and sponge, see once Lucerne Market by the Epidromos Painter (ARV2 118, 14); Rome, Museo Artistico Industriale by Onesimos (ARV2 329, 129; Addenda 217); Oxford 1911.621 by Apollodoros (Paralip. 333, 9 ter).; ; Perhaps in the manner of the Euergides Painter. Cf. thekomast in the tondo of Leipzig T.3361 (ARV2 97, 12; Addenda 171), the one on the inside of New York, M.M.A. 41.162.76 (ARV2 98, 16), or some of the figures on side B of Tampa, Fla., Museum of Art, ex Noble by the painter himself (Paralip. 330; Addenda 171).","Object","Red Figured And White Ground | Cups | Type B | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1533","","","Agora","","","Agora XXX, no. 1533","Floor fragment with start of stem on underside. Max. dim. 0.054.; ; I, symposion. Man or youth (most of bent left arm, part of draped torso and left leg drawn up and shown frontally) reclining to left, playing the aulos(?). Behind him, a little of the couch and pillow. At the very bottom of the fragment is a bit of the reserved line for the tondo border. Inscribed: to left of drapery: ; ; to right of drapery: ; ; Preliminary sketch. Relief contour. Dilute glaze: above border of himation. Red: inscriptions.; ; For the inscriptions, see ARV2 110, 9.; ; Connected with the Hermaios Painter and the Severeano Group (ARV2 one 79, ---); the Hermaios Painter (ARV2 110, 9).","Object","Red Figured And White Ground | Cups | Type B | Not Known If Decorated On Outside"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1554","","","Agora","","","Agora XXX, no. 1554","Mended with missing pieces restored in plaster and painted. Two concentric circles with central dot on underside of floor. H. 0.082; diam. at rim 0.178; width with handles 0.252; diam. of tondo 0.078; diam. of foot 0.08. H. A. Thompson, Hesperia 24, 1955, pp. 64--65, fig. 3, pl. 28:d; Ginouvès, Balaneutikè , p. 63, pl. 12:36; D. B. Thompson, An Ancient Shopping Center (Agora Picture Book 12), Princeton 1971, fig. 23; M. Lang, Graffiti in the Athenian Agora (Agora Picture Book 14), Princeton 1974, fig. 36; R. Ling, The Greek World, Oxford 1976, p. 86; S. Roberts, Hesperia 55, 1986, p. 10, cat. no. 2, p. 5, fig. 2, p. 23, fig. 13, pl. 1.; ; I, hetaira (right foot missing) to left, wearing a sakkos and holding a boot in each hand. On the floor is a low wash basin. In the field: ; ; Narrow reserved line around tondo. Relief contour. Red or white (flaked): inscription.; ; Epiktetos (ARV2 76, 80; Paralip. 328, 80: the number wrongly given as P 24138; Addenda 168).","Object","Red Figured And White Ground | Cups | Type C | Offset Lip"
"","","","Ca. 510 B.C.","Agora:Object:Agora XXX:1555","","","Agora","","","Agora XXX, no. 1555","Mended with missing pieces restored in plaster and painted, notably both handles and most of one side. H. 0.12; diam. of rim 0.177; diam. of tondo 0.086; diam. of foot 0.07. E. Vanderpool, Hesperia 15, 1946, p. 280, cat. no. 36, pl. 30; Themelis, Agora: Guide, fig. opp. p. 72; S. Roberts, Hesperia 55, 1986, pl. 15.; ; I, wine boy: boy to left carrying two pointed amphorae suspended from an anaphoron over his left shoulder. He wears a short chiton; around his head is a wreath. Reserved line for tondo border. Preliminary sketch. Relief contour. Incised line for hair contour. White (flaked): wreath.; ; Manner of the Euergides Painter: Namepiece of the Painter of Agora P 1275 (ARV2 one 67, V, 1); Related to the Group of Acropolis 96 (ARV2 105, ---, 1; Addenda 172).","Object","Red Figured And White Ground | Cups | Type C | Offset Lip"
"","","","Last quarter of 6th century B.C.","Agora:Object:S 23","Draped Figure Fragment","28 May 1931","Agora","","Agora:Image:2012.53.1427::/Agora/2012/2012.53/2012.53.1427.jpg::1577::2048","S 23","Broken all around and on back.; Part of a figure, showing groups of narrow straight folds to the right, to the left the drapery is tightly drawn in widely spaced shallow folds.; Nice finish.; Pentelic marble.","Object",""