[Agora Object] A 146: Euthynteria Block with Mason's Mark

Finished with anathyrosis on both ends. Of the front, the lower part is left rough, the upper rough-picked but surrounded by a smooth band. On the top, a setting line 0.155m. back from the front; in front ... 11 February 1933

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[Agora Object] A 215: Step Block with Mason's Mark

Bottom step block (euthynteria). All surfaces preserved, with anathyrosis on both ends. Front surface: worked with toothed chisel for 0.14m. from top, save for a drafted edge. The remaining surface below ... 29 May 1933

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[Agora Object] A 248: Step Block with Mason's Mark

Bottom step block. All surfaces preserved with anathyrosis on both ends. Top surface smooth with setting line 0.395m. from front surface. For a distance of 0.330m. from front surface we have a raised area ... 23 January 1934

[Agora Object] A 249: Step Block with Mason's Mark

Bottom step block. Both ends broken. Front surface worked smooth to 0.120m. from top. The remaining surface below projects 0.01m. from this finished face and is rough-picked. Top surface badly weathered ... 23 January 1934

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[Agora Object] A 367: Cornice Fragment with Molding

Lateral geison with hawk's beak crowning molding. Right end preserved and finished with good anathyrosis. Ovolo type, with deep incision on fascia at spring of molding. From the Stoa of Zeus. Pentelic ... 1933

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[Agora Object] A 368: Cornice Fragment with Molding

Front horizontal cornice with hawk's beak crowning molding. From the left hand corner of the pediment of the Stoa of Zeus. The superimposed first block of the raking geison was cut in a separate piece; ... 1933

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[Agora Object] A 369: Cornice Fragment with Molding

Raking cornice with hawk's beak crowning molding, from the Stoa of Zeus. Profile similar to A 367 (Η' 705). Doric leaf pattern with some of the red color preserved on the leaf. Pentelic marble. Found ... 1933

[Agora Object] A 370: Triglyphs Fragments

Two fragments of triglyphs from the Stoa of Zeus. The headband is crowned with a half-round molding. The space between the glyphs at their tops is gently curved and deeply undercut. Corner drops broken ... 1933