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Name
Title
Date
Chronology
 
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2011.04.0188 (XXXVI-70)Detail of the west frieze, slab 2, of the Hephaisteion: Centaurs pounding Kaineus into the ground.ca. 1949  
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2009.05.0079A kantharos base inscribed with the name of the sculptor Menon.8 Feb 2005  
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2009.05.0080An unfinished statuette of the Mother of the Gods, still showing the preliminary stages of work done with a point.12 Jul 2005  
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2009.05.0081Detail of Nike akroterion showing drill marks undercutting the drapery in order to create contrasts.6 Aug 2005  
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2009.05.0082Votive relief of Asklepios and Hygeieia, with a drill hole for a repair to the right arm of Asklepios, probably to correct a mistake made by the sculptor. 4th century B.C.14 Jul 2005  
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2009.05.0083A well-preserved, simplified version of Alkamene's Hekate illustrates her three-bodied form. 1st-2nd century A.D.   
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2009.05.0084Sculptors sometimes worked with masons to produce reliefs on inscribed public documents. This relief on the anti-tyranny law of 377/6 B.C. depicts Democracy crowning Demos (the Athenian People).2 Aug 2008  
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2009.05.0086A Triton from the second facade of the Roman Odeion, ca. A.D. 150-175, illustrates the continuity of scultpural practice in the Agora. The torso of the Triton was strongly influenced by one of the fugures in the east Pediment of the 5th-century B.C. Parthenon. The Triton was later reused in the 5th-century A.D. structure that occupied the site of the Odeion, probably a gymnasium.6 Aug 2005