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| Body fragment of bell krater. Glazed inside and out. Exterior red-figure decoration: at left, part of body and left arm of woman, moving rapidly to right. Wears peplos ornamented above waist with debased ... 375-350 BCE ... ATTIC RED-FIGURE BELL KRATER |
| In manner of Meidias Painter.
Bell krater with straight sides, outturned thick rim. Glazed inside and on the rim.
Decorated with dancing maenad with head thrown back. Dances to right, beating tympanon ... 410-400 BCE; 400-380 BCE ... ATTIC RED-FIGURE KRATER RIM |
| Body fragment from large open vessel, near mouth; slight outward curve near top.
Reserved band at top, 2 figures.
Viewer's right, part of frmale head with elaborate hairdo and draped torso. Viewer's left, ... ATTIC RED-FIGURE OPEN SHAPE |
| Body sherd from bell krater. Interior glazed. Exterior decorated in red-figure technique with mid secrtion of woman in swirling drapery, probably maenad. Hard buff clay, black glaze, miltos and slip. Fragment ... Body sherd from bell krater. Interior glazed. Exterior decorated in red-figure |
| Fragment from upper part of a calyx krater. Rim zone decorated with chain of leaves. Below, the upper parts of two figures: youthful, beardless Dionysus seated 3/4, reclining on his left elbow. In his ... 380-370 BCE ... ATTIC RED-FIGURE KRATER RIM |
| No relief contour. Relief lines in varying thick ness for interior markings. Some very stron, well drawn. Thick applied white with yellow dilute glaze for bracelet. Very faded applied white for hanging ... CORINTHIAN RED-FIGURE BELL KRATER |
| Vertical ring foot, joining underside of floor shrply. Not enough preserved to be sure about relief contour, but probably none. Strong relief line for interior markings. Good black glaze. Slip and miltos ... CORINTHIAN RED-FIGURE STEMLESS CUP |
Kotyle with convex upper body curving in strongly to fine vertical lip. Exterior decorated in red-figure. On body upper half figure to right in profile, right arm extended in front. Hair short with reserved ... CORINTHIAN RED-FIGURE OVOID KOTYLE |
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