"dc-date","dc-subject","Type","Collection","dc-creator","UserLevel","Icon","dc-description","Redirect","Chronology","dc-title","Id","dc-publisher","Name"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-126::/Agora/Publications/Agora/Agora 023/Agora 023 126 (110).png::1495::2048","Agora 23","","540-530 B.C.; 550-540 B.C.; 530 B.C.; 530-520 B.C.","One-Piece Amphorae; Panel Amphorae","Agora:PublicationPage:Agora-23-126","","Agora 23, s. 126, p. 110"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-110::/Agora/Publications/Agora/Agora 030/Agora 030 110 (91).png::1438::2048","Agora 30","","","Early Red-Figure Cup Painters; Other early Red-Figured Painters","Agora:PublicationPage:Agora-30-110","","Agora 30, s. 110, p. 91"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-44::/Agora/Publications/Agora/Agora 030/Agora 030 044 (25).png::1438::2048","Agora 30","","","ARV² 600, 14","Agora:PublicationPage:Agora-30-44","","Agora 30, s. 44, p. 25"
"27 February 1937","Red Figured And White Ground | Cups | Type B | Decorated On Inside And Outside","Object","Agora","","","Agora:Image:2012.50.0434::/Agora/2012/2012.50/2012.50.0434.jpg::1394::1185","Two fragments from a cup with rim offset inside. ; a) A bit of the rim with a reserved band. The head and shoulders of a woman looking left (moving right?). She wears a chiton and over it an himation falling straight over both shoulders. Her hair is bound with an eleborately folded saccos from which her curls escape at the back. The iris of the eye a dotted circle. A single line of brown on the right hand of the figure. To the right is part of the long hair and the drapery(?) of another figure. ; b) A bit of a raised right arm with full sleeve falling away from the elbow. ; Some relief contours on both fragments. Excellent glaze.","","","Red Figure Cup Fragments: Type B","Agora:Object:P 9052","","P 9052"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-113::/Agora/Publications/Agora/Agora 023/Agora 023 113 (97).png::1495::2048","Agora 23","","","Snake-and-spots Group","Agora:PublicationPage:Agora-23-113","","Agora 23, s. 113, p. 97"
"February 1936","","Object","Agora","","","Agora:Image:2012.55.1103::/Agora/2012/2012.55/2012.55.1103.jpg::1937::1419","Fragmentary; the full height joins. Broad reserved band around central medallion which shows two draped figures, a woman playing the flute and a man with head thrown back singing. Outside, reserved save for handles and three bands; round rim, round stem and round edge of foot. Underside plain save for band near rim. The reserved areas have an unusual polished buff surface. ; ; Traces of an inscripton, in red, in medallion?","","","Red Figure Cup","Agora:Object:P 10271","","P 10271"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-132::/Agora/Publications/Agora/Agora 030/Agora 030 132 (113).png::1438::2048","Agora 30","","","Early Classical Painters of Cups and Skyphoi; The Penthesilea Painter and His Workshop","Agora:PublicationPage:Agora-30-132","","Agora 30, s. 132, p. 113"
"May-June 1954","","Object","Agora","","","Agora:Image:2011.03.0114::/Agora/2011/2011.03/2011.03.0114.tif::2595::2434","Wall fragment.; ; Scene: Dionysos right holding kantharos; Satyr (leg and tip of tail) and Maenad walking in front of him.; ; Same hand as P 24476 (ΣΑ 2686).","","","Black Figure Lekythos Fragment","Agora:Object:P 24482","","P 24482"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-116::/Agora/Publications/Agora/Agora 023/Agora 023 116 (100).png::1495::2048","Agora 23","","620-610 B.C.; Late 7th B.C.; 1st quarter of 6th B.C.; 580 B.C.; Late 1st quarter of 6th B.C.","ABV 3, 2","Agora:PublicationPage:Agora-23-116","","Agora 23, s. 116, p. 100"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-68::/Agora/Publications/Agora/Agora 030/Agora 030 068 (49).png::1438::2048","Agora 30","","","Angermeier, p. 44","Agora:PublicationPage:Agora-30-68","","Agora 30, s. 68, p. 49"
"May-June 1954","Black and Plain Pottery | Lekythos | Black-Bodied","Object","Agora","","","Agora:Drawing:DA 7855::/Agora/Architecture/DAs/07000-07999/DA 7855.jpg::0::0","Great part of foot missing. Shape and decorative scheme as P 24549 (ΣΑ 2759).","","","Black Glaze Lekythos","Agora:Object:P 24552","","P 24552"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-190::/Agora/Publications/Agora/Agora 030/Agora 030 190 (171).png::1438::2048","Agora 30","","480 B.C.; 460 B.C.; 470-450 B.C.","Paralip. 344, 131bis","Agora:PublicationPage:Agora-30-190","","Agora 30, s. 190, p. 171"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-127::/Agora/Publications/Agora/Agora 023/Agora 023 127 (111).png::1495::2048","Agora 23","","520 B.C.; 530 B.C.; 530-520 B.C.; 550-525 B.C.","One-Piece Amphorae; Panel Amphorae","Agora:PublicationPage:Agora-23-127","","Agora 23, s. 127, p. 111"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-184::/Agora/Publications/Agora/Agora 023/Agora 023 184 (168).png::1495::2048","Agora 23","","Late 6th B.C.; 1st quarter of 6th B.C.; 3rd quarter of 7th B.C.; 580 B.C.; 625-600 B.C.; 4th quarter of 7th B.C.; 1st half of 6th B.C.","Lebetes Gamikoi","Agora:PublicationPage:Agora-23-184","","Agora 23, s. 184, p. 168"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-374::/Agora/Publications/Agora/Agora 030/Agora 030 374 (355).png::1438::2048","Agora 30","","Early 5th B.C.; 480 B.C.","Well","Agora:PublicationPage:Agora-30-374","","Agora 30, s. 374, p. 355"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-64::/Agora/Publications/Agora/Agora 023/Agora 023 064 (48).png::1495::2048","Agora 23","","","Amasis Painter","Agora:PublicationPage:Agora-23-64","","Agora 23, s. 64, p. 48"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-262::/Agora/Publications/Agora/Agora 023/Agora 023 262 (246).png::1495::2048","Agora 23","","490-470 B.C.; 490-480 B.C.; Early 5th B.C.; 2nd quarter of 5th B.C.","Paralip. 269","Agora:PublicationPage:Agora-23-262","","Agora 23, s. 262, p. 246"
"June 1988","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-357::/Agora/Publications/Agora/Agora 030/Agora 030 357 (338).png::1438::2048","Agora 30","","510-500 B.C.; 500; 500-490 B.C.; Early 5th B.C.; 500-480 B.C.; 500 B.C.; 480 B.C.","Addenda 165","Agora:PublicationPage:Agora-30-357","","Agora 30, s. 357, p. 338"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-124::/Agora/Publications/Agora/Agora 023/Agora 023 124 (108).png::1495::2048","Agora 23","","540-530 B.C.; 3rd quarter of 6th B.C.; 550-540 B.C.; 550 B.C.; 550-530 B.C.","One-Piece Amphorae; Panel Amphorae","Agora:PublicationPage:Agora-23-124","","Agora 23, s. 124, p. 108"
"","Red Figured And White Ground | Bell-Kraters | Type 1 | Bell-Kraters with Lugs","Object","Agora","","","","Wall fragment. Max. dim. 0.12. Schwarz, Triptolemos, p. 37, cat. no. V 49, pl. 8:14; Hayashi, Triptolemosbildes, p. 136, cat. no. 37, pl. 5:1 (wrongly called a calyx-krater); Langridge, ""Eucharides Painter,"" p. 345, cat. no. E 7.; ; Triptolemos (feet; lower drapery) sitting on the throne (part of floor and wheel, start of wing, a little of the spotted serpent). Relief contour. Dilute glaze: part of wing.; ; For the subject, see 229. Of the three episodes in this myth recognized by Dugas, 289 probably depicted the second, the departure for the mission where Triptolemos sits on the throne flanked by Demeter and Kore, one of whom pours a libation into his phiale. The composition on 289 may have looked much like the one on Louvre G 187, the namepiece of the Triptolemos Painter (ARV2 361, 2; Paralip. 364, 2; Addenda 222; Denoyelle, Chefs-d'oeuvre . . . Louvre, pp. 130--131, cat. no. 60).; ; The earliest preserved mention of Triptolemos' throne with the snakes is a fragment of Sophokles' tragedy, Triptolemos, which was probably first performed in 468 B.C. (fragment 539: A. Nauck, ed., Tragicorum Graecorum Fragmenta, 2nd ed., Leipzig 1889, p. 262; for the date of the play, see A. C. Pearson, The Fragments of Sophokles, vol. 2, Cambridge 1917, p. 239; there, the fragment is no. 596 and appears on p. 243). Several representations of the subject, including 289 and Louvre G 187, that depict the serpent alongside the wheel of the seat predate the play, thus indicating that the version with the snakes is not an invention of the playwright (see Pearson, p. 240, note 1): Athens Art Market by the Theseus Painter (Haspels, ABL p. 252, no. 64; snakes are present, according to Raubitschek, Hesperia Suppl. XX, p. 110); Prague 1867 by the Emporion; ; Painter (ABV 708, 19; Paralip. 291, 19); Athens, N.M. 430 by the Beldam Painter or in his manner (ABV 587, ---, 1); Louvre G 187 by the Triptolemos Painter; London, B.M. E 140 by Makron (ARV2 459, 3; Paralip. 377, 3; Addenda 243).; ; The Eucharides Painter (ARV1 154, 15; ARV2 227, 16: wrongly called a calyx-krater: the wall is convex, not flaring).","","Ca. 490-480 B.C.","","Agora:Object:Agora XXX:289","","Agora XXX, no. 289"
"","Red Figured And White Ground | Volute-Kraters","Object","Agora","","","","Two non-joining fragments, a of wall, b of rim and neck with start of handle zone at far left. Glaze pitted on inside of a. Max. dim. a) 0.077, b) 0.14; W. of rim 0.025; H. of neck 0.063. W. B. Dinsmoor, Hesperia Suppl. V, p. 134, fig. 61:13; D. B. Thompson, Garden Lore of Ancient Athens (Agora Picture Book 8), Princeton 1963, fig. 1; Schleiffenbaum, Volutenkrater, p. 322, cat. no. V 199.; ; Fragment b, the rim and neck fragment: on side of rim, stopped-maeander pattern with saltire-squares; on neck, double chain of lotuses and encircled palmettes. This is from near the handle zone, because there is no black background next to the palmettes on the left. Fragment a shows a warrior (pteryges of his corslet, skirt of short chiton, scabbard at left side, left arm and hand with round shield seen from the inside, a bit of his left heel just above the lower break), falling to right, at least to judge from the position of the fragment, which comes from well below maximum diameter and from what remains of the figure. In the lower right, the end of a himation over a long chiton of another figure moving to right. Preliminary sketch. Relief contour. Rim of shield incised (compass-drawn). Dilute glaze: chitons; shield grip; decoration on border of himation. Red: in upper left corner of fragment, ends of a baldric or drops of blood from a wound.; ; The small amount of the figured composition that is preserved suggests that the subject might be the duel between Achilleus and Hektor, a theme that enjoys a brief vogue in the first two decades of the 5th century (LIMC I, 1981, pp. 133--138, s.v. Achilleus [A. Kossatz-Deissmann]). If so, then the falling warrior would be Hektor, who has just been speared by the avenging Achilleus, and the other figure, Apollo deserting him. Hektor may have looked something like his counterpart on the volute-krater in London by the Berlin Painter that names the figures (E 468: ARV2 206, 132; Paralip. 343, 132; Addenda 194) or the kalpis in the Vatican, H 545, by the Eucharides Painter (ARV2 229, 38; Paralip. 347, 38; Addenda 199). For the composition, cf. also the giant attacked by Athena on London, B.M. E 165 by the Tyszkiewicz Painter (ARV2 294, 62; Addenda 211). The scene on 237 might also illustrate the fight between Diomedes and Aineas: cf. the namepiece of the Tyszkiewicz Painter, Boston 97.368 (ARV2 290, 1; Paralip. 355, 1; Addenda 210), though this seems less likely. For this theme, cf. LIMC I, 1981, pp. 384--385, s.v. Aineias (F. Canciani).; ; The ornament on the side of the mouth and on the upper zone of the neck is best paralleled on two volute-kraters by the Berlin Painter, London, B.M. E 468 and Karlsruhe 68.101 (Paralip. 344, 131 bis; Addenda 194). The manner in which the tendrils of the lotus flowers are overlapped by those of the palmettes is similar to that on the namepiece of the Tyszkiewicz Painter, Boston 97.368. But the drawing of the figures on 237 is weaker than that of these two painters.","","Ca. 480 B.C.","","Agora:Object:Agora XXX:237","","Agora XXX, no. 237"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-177::/Agora/Publications/Agora/Agora 023/Agora 023 177 (161).png::1495::2048","Agora 23","","4th quarter of 6th B.C.; Late 6th B.C.; 510-500 B.C.","Column-Kraters","Agora:PublicationPage:Agora-23-177","","Agora 23, s. 177, p. 161"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-131::/Agora/Publications/Agora/Agora 030/Agora 030 131 (112).png::1438::2048","Agora 30","","","Early Classical Painters of Cups and Skyphoi","Agora:PublicationPage:Agora-30-131","","Agora 30, s. 131, p. 112"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-261::/Agora/Publications/Agora/Agora 023/Agora 023 261 (245).png::1495::2048","Agora 23","","500-490 B.C.; 490-480 B.C.; 490-470 B.C.","Lekythoi; The Lekythos Painters VII; The Haimon Group","Agora:PublicationPage:Agora-23-261","","Agora 23, s. 261, p. 245"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-150::/Agora/Publications/Agora/Agora 030/Agora 030 150 (131).png::1438::2048","Agora 30","","","ARV² 1475, 4","Agora:PublicationPage:Agora-30-150","","Agora 30, s. 150, p. 131"
"","Red Figured And White Ground | Amphorae Or Pelikai","Object","Agora","","","","Wall fragment. Max. dim. 0.046.; ; Woman or youth (lower part of face, left shoulder with chiton), probably moving to left, looking back. The hand of a pursuer grasps folds of the chiton. Relief contour: profile.; ; Whether one calls the figure a woman or a youth depends on the identity of the pursuer if the scene is a mythological one. If it is, the figure would be Boreas if the pursued is a woman or Eos if it is a youth (Kephalos or Tithonos). Normally, either pursuit is from left to right, but in the work of the Pan Painter, an example of each subject occurs in which the action moves from right to left. For Boreas, see London, B.M. E 512 (ARV2 557, 125; Paralip. 387, 125; Addenda 259). For Kephalos, see Akropolis 469 a (ARV2 559, 144). What remains on 69 is particularly close to the latter composition and might tip the scale in favor of identifying the scene on 69 as Eos and Kephalos.; ; The Pan Painter (ARV2 558, 131).","","Ca. 470 B.C.","","Agora:Object:Agora XXX:69","","Agora XXX, no. 69"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-42::/Agora/Publications/Agora/Agora 030/Agora 030 042 (23).png::1438::2048","Agora 30","","","Volute-Kraters","Agora:PublicationPage:Agora-30-42","","Agora 30, s. 42, p. 23"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-101::/Agora/Publications/Agora/Agora 030/Agora 030 101 (82).png::1438::2048","Agora 30","","","ABV 146, 20","Agora:PublicationPage:Agora-30-101","","Agora 30, s. 101, p. 82"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-122::/Agora/Publications/Agora/Agora 030/Agora 030 122 (103).png::1438::2048","Agora 30","","","Early Classical Painters of Large Pots","Agora:PublicationPage:Agora-30-122","","Agora 30, s. 122, p. 103"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-203::/Agora/Publications/Agora/Agora 030/Agora 030 203 (184).png::1438::2048","Agora 30","","430 B.C.; 490-480 B.C.; Early 5th B.C.","LIMC IV, 1988, pp. 637-645, 652-654, s.v. Hephaistos (A. Hermary)","Agora:PublicationPage:Agora-30-203","","Agora 30, s. 203, p. 184"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-68::/Agora/Publications/Agora/Agora 023/Agora 023 068 (52).png::1495::2048","Agora 23","","","Swan Group","Agora:PublicationPage:Agora-23-68","","Agora 23, s. 68, p. 52"
"29 May 1954","Red Figured And White Ground | Lekythoi | Standard Shape","Object","Agora","","","Agora:Image:2012.03.6077::/Agora/2012/2012.03/2012.03.6077.tif::4368::2912","Base, neck, handle and part of shoulder and upper wall missing.; ; Wall zone bounded below by pomegranate band, above by simple maeander; palmettes on shoulder.; Three warriors (shields, helmets, spears) move to left, towards a fourth who moves right. The fourth warrior has a short chiton. Shield devices: anchor, insect, serpent. One helmet is feathered. The figures move right around the pot. The two opposing warriors are at the front.; Relief contour.; ; Cf. a cup in London, 1907, 10-20, ARV, p. 102, Y, γγ, one of a group of cups with the signature of Pamphaios as potter ""akin to the later and worse work of the Nikosthenes painter, but no two certainly by one hand.""; ; ADDENDA Some scattered letters making no sense; between the warrior with the feather and the one wearing a chiton:  above;  below; between the warrior holding the shield with a serpent and the warrior holding the shield with an insect: ; ; For early Red Figure Lekythoi cf. Haspels (1936) p. 69 ff., and the references there (=VA, p. 26; Caskey, Attic Vase-Paintings, p. 11).; ; Hole bored through bottom for securing to teakwood base [25 August 1956].","","","Red Figure Lekythos: Inscribed","Agora:Object:P 24061","","P 24061"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-163::/Agora/Publications/Agora/Agora 030/Agora 030 163 (144).png::1438::2048","Agora 30","","470-460 B.C.; 460 B.C.; 470 B.C.","LIMC IV, 1988,pp. 928-931, s.v. Erechtheus, U. Kron","Agora:PublicationPage:Agora-30-163","","Agora 30, s. 163, p. 144"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-78::/Agora/Publications/Agora/Agora 023/Agora 023 078 (62).png::1495::2048","Agora 23","","","Cups","Agora:PublicationPage:Agora-23-78","","Agora 23, s. 78, p. 62"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-320::/Agora/Publications/Agora/Agora 030/Agora 030 320 (301).png::1438::2048","Agora 30","","430 B.C.; 3rd quarter 5th B.C.","ARV² 906, 109","Agora:PublicationPage:Agora-30-320","","Agora 30, s. 320, p. 301"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-133::/Agora/Publications/Agora/Agora 023/Agora 023 133 (117).png::1495::2048","Agora 23","","1st quarter of 6th B.C.; Late 1st quarter of 6th B.C.; 630-620 B.C.; 3rd quarter of 7th B.C.; 625 B.C.; 620 B.C.","Paralip. 9","Agora:PublicationPage:Agora-23-133","","Agora 23, s. 133, p. 117"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-131::/Agora/Publications/Agora/Agora 023/Agora 023 131 (115).png::1495::2048","Agora 23","","Late 6th B.C.; Late 6th-Early 5th B.C.; 610 B.C.; Early 5th B.C.","One-Piece Amphorae; Panel Amphorae","Agora:PublicationPage:Agora-23-131","","Agora 23, s. 131, p. 115"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-73::/Agora/Publications/Agora/Agora 023/Agora 023 073 (57).png::1495::2048","Agora 23","","","Mastoid","Agora:PublicationPage:Agora-23-73","","Agora 23, s. 73, p. 57"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-82::/Agora/Publications/Agora/Agora 023/Agora 023 082 (66).png::1495::2048","Agora 23","","","Nikosthenes","Agora:PublicationPage:Agora-23-82","","Agora 23, s. 82, p. 66"
"","Red Figured And White Ground | Fragments: Uncertain If Closed Or Open Shape","Object","Agora","","","","Wall fragment from the receptacle of a rhyton(?). Max. dim. 0.063.; ; Maenad (most of draped legs, hanging leg of her nebris), probably dancing to right. Above her right thigh at the break is a bit of reserve that is very likely part of her extended forearm. Overlapping her left leg is a horn in added clay and, around it, the fingermarks of the potter where he smoothed the clay. Preliminary sketch. Relief contour. Dilute glaze: nebris.; ;  1673, with the bovine horn in added clay, probably comes from a rhyton, but so little remains that it did not seem to warrant a separate category. It is difficult to find a good parallel among similar rhyta.; ; During his visit to the Agora in the summer of 1953, Beazley suggested that 1673 is a fragment of a plastic vase, presumably a rhyton. The shape of the horn is that of a cow, but cow-head rhyta known to me are quite different and considerably later than 1673: Paris, Petit Palais 371 (ARV2 777, ---, 1) and New York, M.M.A. 06.1021.203 (ARV2 777, ---, 2; Paralip. 417, 2; H. Hoffmann, Attic Red-Figured Rhyta, Mainz 1962, pl. 13), both from the Cow-Head Group; Naples Stg. 62 by the Eretria Painter (ARV2 1251, 37; Lezzi-Hafter, Eretria-Maler, p. 348, cat. no. 258, pl. 170); Boston, M.F.A. 01.8105 (ARV2 1551, 11; Hoffmannn, pl. 19:1, 2); and Ruvo, Jatta 1116 (ARV2 1551, 12) from the Group of Class W to which Hoffmann assigns a third, Bayonne 118 (p. 42, cat. no. 112, pl. 22:1) but which Beazley (ARV2 1704) places near the Group. None of these has the horn in relief attached to the receptacle. Instead it is three dimensional. For rhyta, see Lezzi-Hafter, Eretria-Maler, pp. 263--276; also H. Hoffmann, ""Rhyta and Kantharoi in Greek Ritual,"" Greek Vases in the J. Paul Getty Museum 4 [OPA 5], pp. 131--166. I have not seen the Harvard dissertation by Marion True: ""Pre-Sotadean Red-Figure Statuette Vases and Related Vases with Relief Decoration"" (cited by Hoffmann, p. 134, note 27).","","Probably early 5th century B.C.","","Agora:Object:Agora XXX:1673","","Agora XXX, no. 1673"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-172::/Agora/Publications/Agora/Agora 030/Agora 030 172 (153).png::1438::2048","Agora 30","","430 B.C.; 410 B.C.; 430-420 B.C.","Délos XXI, pl. 47:98","Agora:PublicationPage:Agora-30-172","","Agora 30, s. 172, p. 153"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-286::/Agora/Publications/Agora/Agora 023/Agora 023 286 (270).png::1495::2048","Agora 23","","500 B.C.; 2nd quarter of 6th B.C.; 530-520 B.C.; 4th quarter of 6th B.C.","E. Vanderpool, Hesperia 15, 1946, pp. 276-277","Agora:PublicationPage:Agora-23-286","","Agora 23, s. 286, p. 270"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-318::/Agora/Publications/Agora/Agora 023/Agora 023 318 (302).png::1495::2048","Agora 23","","540 B.C.; 3rd quarter of 6th B.C.","Cups; Little Master Cups; Band-Cups","Agora:PublicationPage:Agora-23-318","","Agora 23, s. 318, p. 302"
"24 March 1936","","Object","Agora","","","","Repaired. Parts missing include piece of lip. Center, reclining banqueter with lyre player. From left and right, two ride up on mules. Rays on shoulder. White for lyre, flesh of player, and various ornaments. ; ; ADDENDA Workshop of the Haimon Painter, as P 10327. [E. Haspels]","","","Lekythos","Agora:Object:P 10344","","P 10344"
"May-June 1954","","Object","Agora","","","","Part of mouth, handle and wall fragment missing. General type as P 24316 (ΣΑ 2526): This is the characteristic general type for the large proportion of the lekythoi from this group. Bell mouth with variations in height and spread; lip usually reserved, occasionally glazed. Disk foot of varying thickness; below picture either one or two reserved lines. Added colors more or less well preserved. Only substantial variations are noted in the following descriptions.; ; Top of mouth glazed.; Shoulder: dots above rays.; Scene: man reclining on the ground left, woman (no white), seated on diphros, facing him.","","","Black Figure Lekythos","Agora:Object:P 24392","","P 24392"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-23-328::/Agora/Publications/Agora/Agora 023/Agora 023 328 (312).png::1495::2048","Agora 23","","510-500 B.C.; 500 B.C.; 560-550 B.C.; Late 1st quarter of 6th B.C.; 550 B.C.; 560 B.C.","Segment Class","Agora:PublicationPage:Agora-23-328","","Agora 23, s. 328, p. 312"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-205::/Agora/Publications/Agora/Agora 030/Agora 030 205 (186).png::1438::2048","Agora 30","","460 B.C.","M. Wegner, Das Musikleben der Griechen, Münster 1949, pp. 30-32","Agora:PublicationPage:Agora-30-205","","Agora 30, s. 205, p. 186"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-326::/Agora/Publications/Agora/Agora 030/Agora 030 326 (307).png::1438::2048","Agora 30","","460 B.C.; 3rd quarter 5th B.C.; Last quarter 5th B.C.; 440 B.C.; 490-480 B.C.; 470-460 B.C.","Fill","Agora:PublicationPage:Agora-30-326","","Agora 30, s. 326, p. 307"
"5 June 1939","Red Figured And White Ground | Pelikai | Pictures Not Framed","Object","Agora","","","Agora:Image:2000.01.1244::/Agora/2000/2000.01/2000.01.1244.tif::517::384","Four joining fragments preserve most of neck, mouth and upper part of both handles. Figured decoration front: head of bearded man, right, facing a vine or tree. Back: part of head of a bearded bald silen, left. ; ; Black glaze somewhat peeled.","","","Red Figure Pelike Fragment","Agora:Object:P 17001","","P 17001"
"6 July 1965","Red Figured And White Ground | Loutrophoroi | Type Uncertain","Object","Agora","","","Agora:Image:2000.01.1300::/Agora/2000/2000.01/2000.01.1300.tif::1226::619","a) Seven joining pieces, from shoulder. On top, a band of tongues above egg and dart. In field a woman's head to left looking up toward Eros who flies down holding necklace. ; b) From wall. Scarf hanging to right of a draped figure. ; Relief contour. ; ; Probably same vase as P 27335.","","","Red Figure Loutrophoros Fragments","Agora:Object:P 27390","","P 27390"
"April 1954","Red Figured And White Ground | Pelikai | Pictures Not Framed","Object","Agora","","","Agora:Image:2000.01.1262::/Agora/2000/2000.01/2000.01.1262.tif::412::523","Several fragments, mending to two, preserve a little of the neck and shoulder, with the upper attachment of one handle.; ; Leaf-border around neck, narrower on one face than on the other. Of the figured scene, on a) is preserved only the top of a head; on b) most of the face and the front part of the head of a youth right.; ; No relief contour. Glaze dull, fired red to black.","","","Red Figure Pelike Fragments","Agora:Object:P 24148","","P 24148"
"17 June 1954","Red Figured And White Ground | One-Piece Amphorae | Pictures Not Framed","Object","Agora","","","Agora:Image:2000.01.1801::/Agora/2000/2000.01/2000.01.1801.tif::661::901","Several joining fragments from wall and shoulder preserve the upper part of a youth to left, with chlamys, petasos and staff. Laurel wreath above. Other fragments give part of a large wing, some plain pieces from the wall, and a little of the tongue pattern around the handle attachment.; ; Glaze fired red to black. No relief contour.; Oedipus and the Sphinx? Or Youth, Nike?; ; ADDENDA Mykonos Painter [JDB, letter 25 January 1955].","","","Red Figure Amphora Fragments","Agora:Object:P 24141","","P 24141"
"3-7, 14-19 July 1947","Red Figured And White Ground | Column-Kraters | Pictures Framed","Object","Agora","","","Agora:Image:2000.01.1405::/Agora/2000/2000.01/2000.01.1405.tif::811::805","Four joining pieces give part of the lower wall of a large partly closed pot: column krater? Glaze inside firm, but dull and streaked. Of the scene, parts of three figures remain; the border below the panel a wide band of purple. Above, at left, part of the skirt and one foot of a woman moving left. At right, much of the skirt of a short(?) decorated chiton of a figure moving right. Between the two, two long thin legs, right. No relief contour.","","","Red Figure Column Krater Fragment","Agora:Object:P 19150","","P 19150"
"","","PublicationPage","Agora","","","Agora:PublicationPage:Agora-30-159::/Agora/Publications/Agora/Agora 030/Agora 030 159 (140).png::1438::2048","Agora 30","","480-470 B.C.; 450 B.C.; 450-440 B.C.; 480 B.C.; 470-460 B.C.","ARV² 287, 27","Agora:PublicationPage:Agora-30-159","","Agora 30, s. 159, p. 140"
"","Red Figured And White Ground | Skyphoi | Type A","Object","Agora","","","","Lower part of wall and all of ring base. On underside of floor, three concentric circles with central dot. Most of the glazed fired red on the inside and on the outside below the figures. P.H. 0.15; diam. of base 0.15. L. Talcott, Hesperia 4, 1935, p. 479, fig. 3; Ginouvès, Balaneutikè , pl. 15:43; S. Pfisterer-Haas, Darstellungen alter Frauen in der griechischen Kunst, Frankfurt 1989, pp. 19--21.; ; A, uncertain subject. At the left, just next to the handle palmette, there is the base and start of the shaft of a column, then the lower drapery and feet of a woman standing to right. Next come the lower legs and feet of a frontal male with two spears or staffs. Next to him is a woman (draped legs, feet) to right and beside them on the ground, a basin. Last is a man (drapery, lower legs) seated to left on a stool, holding a staff or spear (part of shaft). B, lower drapery and feet of two women, the left one in a himation and a chiton standing frontally, the right one to left in a chiton. Below the figures, stopped-maeander pattern with saltire- and checkerboard-squares. Below each handle, encircled palmette configuration.; ; The object at the left behind the standing woman on Side A is more likely a column than a door post (pace Talcott, Hesperia 4, 1935, p. 478), for if it were the latter, one would expect to see part of the paneling to the left, and here there is only black glaze. Normally, the figure stands before the door post and does not overlap it. Cf. just a few examples that may stand for many: two by the Veii Painter: South Hadley, Mass., Mount Holyoke College, 1932 BS II.5 (ARV2 906, 109; Addenda 303) and Berlin 2261 (ARV2 906, 116; Addenda 303); Oxford 1961.468 by the Painter of Bologna 417 (ARV2 917, 202; Addenda 304); the namepiece of the Group of Athens 1591 (ARV2 955, 1; Addenda 307).; ; The subject on Side A is probably the return of Odysseus to Ithaca, specifically the moment before Eurykleia sees the identifying scar on his knee when she washes his feet (Odyssey 19.378--384). For the subject, see F. Brommer, Odysseus: Die Taten und Leiden der Helden in antiker Kunst und Literatur, Darmstadt 1983, pp. 100--102; also O. Touchefeu-Meynier, Thèmes odysséens dans l'arte antique, Paris 1968, pp. 248--256 with earlier bibliography and LIMC IV, 1988, pp. 101--102, s.v. Eurykleia (O. Touchefeu). The subject is not a very frequent one, and usually Eurykleia is already kneeling on the ground as she is on Rhodes 14174, an unattributed 4th-century pelike (Clara Rhodos 6--7, 1932--1933, pp. 458--459, figs. 13, 14) and the compositions as well as the participants vary considerably, suggesting that there is no one prototype. But in at least one example Eurykleia stands, in this case immediately after the recognition: Athens, N.M. 1914, a 4th-century Thessalian relief (see S. Karouzou, National Museum: Catalogue of Sculpture, Athens 1968, p. 155, pl. 46; C. Robert, AthMitt 25, 1900, pl. 14). If the identification of the subject on 1265 is correct, the figures, reading from left to right, might be Penelope, Eumaios or Telemachos, Eurykleia, Odysseus. Since the figure I propose to call Eurykleia stands quietly and is not alarmed, she probably has not yet washed Odysseus' feet. The exceptional quality of the foot bath (Ginouvès, Balaneutikè , p. 64) may also favor this interpretation.; ; The drapery of the figures identified as Eurykleia and Odysseus bears some similarity to that on Boston, M.F.A. 95.25 in the manner of the Kleophon Painter (ARV2 1149, 9; Paralip. 457, 9; Addenda 335; Matheson, Polygnotos, p. 412, cat. no. KL 30, pl. 131: the painter himself).","","Ca. 430 B.C.","","Agora:Object:Agora XXX:1265","","Agora XXX, no. 1265"
"28 May 1937","Red Figured And White Ground | Skyphoi | Type A","Object","Agora","","","Agora:Image:2012.57.0480::/Agora/2012/2012.57/2012.57.0480.jpg::2048::1586","Fragments of wall, and both handles missing. Restored in plaster. Heavy type; with substantial ring foot; wall shows S-curve. Coarse palmette ornaments at handles. Double reserved ground line. On either side, a cloaked and a nude standing male figure. ; A) The cloaked figure, right, holds out some object to the other, who is seen from the back, but with his head turned to left. His right arm is raised; in his left he carries an aryballos. ; B) Similar; the cloaked figures holds out a strigil.; ; No contours. Glaze mottled. Extemely coarse work.","","","Red Figure Skyphos: Type A","Agora:Object:P 10561","","P 10561"
"10 March 1952","Red Figured And White Ground | Lebetes Gamikoi | Type 1","Object","Agora","","","Agora:Image:2000.01.1371::/Agora/2000/2000.01/2000.01.1371.tif::347::753","The lebes missing; the stand broken below. Around top of stand, egg and dot band. Below, two female figures. One, in himation, faces right, and carries a box in her outstretched hand; a broad striped scarf falls from her hand. The second figure, also moving right, looks back left towards the first, and touches the box with her right hand. She wears a short chiton, once painted in a color, and cross-girt in added clay; her flesh is white. On the ground between the two figures is a large tympanum. To either side of the dancer the background has not been completely filled in. ; ; Pinkish-buff clay; firm glaze.","","","Red Figure Lebes Gamikos Fragment","Agora:Object:P 22118","","P 22118"
"19-23 March 1936","Red Figured And White Ground | Column-Kraters | Pictures Not Framed","Object","Agora","","","Agora:Image:2012.57.0506::/Agora/2012/2012.57/2012.57.0506.jpg::2048::1601","Probably from a column krater, as P 7249. ; a) The central part of a nude male figure seen from behind, striding left, wearing an himation over his right shoulder and carrying in his left hand a knobbed black crooked stick. Immediately to the left of the figure's thigh the surface seems to have been damaged in making. Note also the purple line which crosses the figure's leg near the bottom of the fragment. No relief contours. The background for the stick is reserved. ; b) Plain wall piece with a trace of a handle attachment. Red to black glaze inside.; c) Plain wall piece; red to black glaze inside.","","","Red Figure Column Krater Fragments","Agora:Object:P 7250","","P 7250"
"19-23 March 1936","Red Figured And White Ground | Column-Kraters | Pictures Not Framed","Object","Agora","","","Agora:Image:2012.01.0119::/Agora/2012/2012.01/2012.01.0119.tif::3004::2288","From the body of a column krater? ; a) A bearded man wearing a chiton with overfold and an himation over his shoulders, moving right playing a lyre from which hang a leopard-skin flute case, a plektron cord, and a tassel. Relief contours; relief lines for the beard and the lyre strings. Brown for the fold lines on the upper part of the chiton. The lines of the figure, sketched beneath the garment, show in purple-red. Purple for the lyre keys and for the plektron cord. ; b) Shows a male figure, right, nude save for an himation worn over the shoulders. He, also, plays a lyre, of which the tassel, plektron and purple plektron string remain. Relief contours. Not certainly from the same vase as a).; ; Good glaze; uneven. Glazed inside, good but dull, to the shoulder, where it appears to be thinning. No traces of burning.","","","Red Figure Column Krater Fragments","Agora:Object:P 7242","","P 7242"
"5 May 1938","Red Figured And White Ground | Louterion","Object","Agora","","","Agora:Image:2012.52.0179::/Agora/2012/2012.52/2012.52.0179.jpg::2048::1261","Many fragments of a large vase (louterion), mending up to ten; the two larger strengthened with plaster; preserved are parts of the wall, from below the figured zone to the inward curve of the shoulder, with parts, or traces, of three handles. Egg and dot border below scene. Careful, vigourous work; relief contour; free use of brown.; ; Inside firm black, slightly streaky; no glaze on underside of shoulder.; ; ADDENDA A) Theseus and Centaurs, B) Theseus and the Bull.","","","Red Figure Louterion Fragments","Agora:Object:P 12641","","P 12641"
"2 June 1954","Red Figured And White Ground | Cups | Type B | Decorated On Inside Only","Object","Agora","","","Agora:Image:2014.04.0074::/Agora/2014/2014.04/2014.04.0074.jpg::4080::4080","Mended from four pieces. Lightly stepped foot.; ; Reserved band around medallion. Within, two boxers, boxing with bare hands; the victor is about to strike his opponent who is falling to the ground and holds up his right hand with the index finger raised in a gesture of defeat. Inscription in field: ; Relief contour; the outline of the upper part of the head of the victor twice done.; ; Late work of Epiktetos. Cf. ARV, pp. 46-47, nos. 29, 24, 25, and note Kraiker's comment on the long noses and long drawn-out eyes of his late period. Ca. 500 B.C. or somewhat earlier.; For the foot, cf. Bloesch, pls. 12:3, 14:3.","","Ca. 500 B.C.","Red Figure Cup: Inscribed","Agora:Object:P 24110","","P 24110"
"26 May 1932","Red Figured And White Ground | Stamnoi And Stamnoids | Stamnoids","Object","Agora","","","Agora:Image:2012.01.0115::/Agora/2012/2012.01/2012.01.0115.tif::3193::2760","About half the circumference of the rim, inside, preserved; the lip entirely missing, as is most of the middle of the body and the back part of the vase. Of the very low ring base, rubbed with pink beneath, about one-third remains.; ; Seated Satyr and standing women; the figures, from left to right, are:; 1. Standing female figure, facing right, holding before her a tablet from which she reads(?).; 2. Satyr; seated on a stone facing right, crowned with ivy.; 3. Standing female figure facing left, holding in her left hand a tall branch with berries; she wears a wreath.; 4. Standing female figure facing right, wreathed, carrying in her raised right hand a leaf(?), from which hang three white strings; she wears a sleeveless chiton.; 5. Standing female figure, facing left, wearing chiton and himation, her hair bound in a kerchief.; Further right, a palmette; beyond, a fragment of a draped standing figure from another scene.; The upper fragment shows the heads of five persons, though of the Satyr's only the top, and of the woman facing him only a part, remains. On the lower pieces the figure of the Satyr is preserved from the waist down, together with portions of the four draped female figures belonging to this scene, and a fifth draped figure from a scene at the back. Around the top, tongue pattern; around the bottom, key broken by crossed squares; on both sides, palmettes.; ; White for hair ornaments, berries and small dots, in pairs, in field; dilute glaze on hair and rock. Relief contours for features, flesh outlines, wreaths, tablet; good black glaze outside; thin wash inside.","","Last quarter of 5th c. B.C.","Red Figure Stamnos Fragments","Agora:Object:P 1052","","P 1052"