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| Sacrificial Pyre I, Classical Building II.
The pyre was set through the original floor level of the northern room of the Classical Building and apparently is the remainder of a ritual conducted when the ... Ca. 375-350 B.C ... Hesperia Suppl. 47 (2013), no. 7, pp. 109, 110, figs. 22, 23, 31, 32. |
| Marble cloudy gray in color, with pronounced lamination.
Excellent work. Found at Q/5-16/3 (Fall 2016). In core of Late Roman Fortification at S.W. corner of the Library of Pantainos. Leica, 83-343, 83-345, ... 1959 ... Hesperia 51 (1982), p. 447, fig. 25, no. E 2 a, pl. 96 b. |
| Fragment a (mended from five fragments) makes up half of the rim and neck with part of shoulder and one handle of a small chytra. Three more loose fragments: b) section of the rim, c and d) wall fragments ... 21 July 1982 ... Hesperia Suppl. 47 (2013), pyre 7, pp. 109-110. |
Neck missing with one handle and most of the other, and fragments from wall. Inverted pear-shaped body tapering to long thick toe. Handle round in section, the line of each handle is continued by a vertical ... 5 May 1938 ... Hesperia 51 (1982), p. 249, n. 2 and p. 265, n. 4. |
| One drum only, viz. third from top, with the letter Δ on under side. Top drum exists but has no letters.
Apparently from the late 5th c. B.C., but reused in the Roman period before being employed in the ... 5th c. B.C ... H. 0.74; Diam. (upper) 0.825, (lower) 0.856 ... 0.74 |
| Webster, T.B.L. 1951. Masks on Gnathia Vases, JHS 71, pp. 222-232. Webster, T.B.L. 1960. Greek Dramatic Monuments from the Athenian Agora and Pnyx, Hesperia 29, pp. 254-284. Webster, T.B.L. 1961. Leading ... Agora 29 xxxvi ... Hesperia 51, pp. 115-163 ... Pnyx, Hesperia 29, pp ... Weinberg, G.D. 1961. Hellenistic Glass Vessels from the Athenian Agora, Hesperia 30, pp. |
| The second, fifth and seventh drums from the top survive, the seventh marked ΗΗΗ, being the bottom drum. The top drum also survives but retains no letter and so cannot be assigned with certainty.
One of ... 5th c. B.C ... Hesperia 51 (1982), p. 446, fig. 24, no. E 3. |
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