[Agora Object] I 356: Grave Monument

Small inscribed stele. Preserved complete including tongue to set into base. Straight moulded top. Inscribed with three lines and a part of a fourth. Grayish marble. Pre-excavation. Found in the modern ... 5th. or early 4th. centuries B.C.

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[Agora Object] S 166: Portrait Statue of the Emperor Hadrian

Colossal statue, the legs broken off; the head, the left arm from the shoulder and the right arm from the elbow, all made separately, are missing. The figure wears kilt, corselet and cloak. The corselet ... 117-138 A.D.

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[Agora Object] S 202: Relief Fragment with Draped Standing Female Figure

Broken on all sides. Back rough-picked. Head, feet and right arm missing of figure, which appears to be female holding some object, a situla, at end of hanging arm. Drapery focussed in knot on bosom ... 14 March 1932

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[Agora Object] S 221: Statue of Faun with Goat

Mended from over 73 fragments; apparently deliberately destroyed. Missing is body of goat and fragments from back of neck and back of right hand of faun. The faun, smiling, is holding panpipes in his ... 5 May 1932

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[Agora Object] S 258: Portrait Head of Female Figure from Relief

The back sliced off obliquely; the small head broken off at the top of the neck; nose and right side of forehead broken. Above the waving hair is preserved part of a headdress on which a rough ovolo pattern, ... Antonine period.

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[Agora Object] S 261: Arm and Shoulder Fragment of Draped Figure from Relief

Apparently a left arm, in tightly wrapped drapery, with another garment, having a fringe resembling locks of hair, worn over the shoulder. On the top of the shoulder rest two long curls. Pentelic marble ... 1933

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[Agora Object] S 262: Draped Female Figure Fragment from Relief

Head, right shoulder, arms and legs are missing. The figure wears a chiton, which is girt in by a broad band, passing over the shoulder and round the waist, and knotted in front. Pentelic marble. House ... 1933

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[Agora Object] S 297: Draped Standing Female Figure Fragment from Relief

The figure is preserved from knees to calf; the back of the block, rough-picked, is preserved, other edges broken. The drapery, its vertical folds indicated by small shallow grooves, is drawn tight across ... 7 March 1933